With wide-angle lenses, you can achieve high-quality images, but with insufficient preparation, a negative result is obtained. It is necessary to capture the frame in a wide angle so that there are no unnecessary objects in it that spoil the overall impression. You need to understand this issue well - what is a wide-angle lens for, before you start actively using it.
When using different types of lenses, there are various difficulties that the photographer has to overcome. Shallow depth of field is common with telephoto lenses and is preferred for shooting on the move. When photographing with such devices, it is necessary to open the aperture as much as possible.
Features of Wide Angle Lenses
This type of optics has a short focal length, so cameras with such a device provide a slightly different image than a long focal length. They have a different depth of field and a different perspective. So in order to use wide angles effectively, you need to carefully study their potential.
If Soviet wide-angle lenses are used, you need to reduce the distance to the object, and then there is a chance to get a high-quality frame. It is necessary to create the optimal combination:
- background,
- object,
- foreground.
It turns out a perspective that is different from a long-focus device, and it needs to be used competently. It is known that the normal range of the camera from 35 to 90 millimeters creates a similar picture as when looking at a person without turning his head.
It turns out a natural perception of the image without much distortion. But if a wide-angle is used, then a larger range is covered, which is able to resemble the look of a person, but with a turn of the head.
That is, the lens displays additional objects that are scattered over the horizon and relative to the observer. A wide-angle photographer gains additional perspectives for the creative process.
There is an opportunity for all kinds of interactions between such objects that are not obvious to humans.
Specifications of Wide Angle
To answer the question - what is a wide-angle lens for, you need to understand its capabilities. Such optical devices have an exaggerated perspective and the objects that are captured when photographing are somewhat further away than they actually are.
A similar effect is achieved by projecting the scene on a plane, and all images are obtained unusual for the human eye. If the potential of wide angles is explored, skillfully captured photographs can capture the attention of viewers as much as possible.
In addition, with the help of them, photographers achieve great depth of the depicted space. Moreover, in this depth, objects are depicted with a decent level of sharpness, which allows the user to create original compositions.
How to use wide angle lenses correctly?
To get a truly unique and eye-catching photograph, you need to place cameras equipped with Soviet wide-angle lenses at a certain distance from objects.
If you violate the horizontal installation of the camera, then even smooth objects will turn out with an unnatural slope. Such opportunities can be skillfully used to create fantastic shots, but this must be done with extreme precision so as not to get the opposite effect.
There is also an option with additional processing of the images obtained with a wide-angle, while special computer programs are used.
If you want to achieve a positive result when photographing with such devices, you need to place the horizon in the very center of the frame, and then perform additional image processing.
Unnecessary elements are cut off and only those objects that you would like to see in the frame remain. Thus, knowing what a wide-angle lens is for, and how to use this device correctly, you can get interesting photographic masterpieces.
While viewing well-made shots with the help of wide-angles, the viewer moves his eyes from one part of the frame to another, and if these transitions are made accurately, then the view is especially exciting.
Too softened areas in the photo do not always turn out to be harmonious, so you need to carefully adjust the lens and perform additional processing of frames to achieve a positive effect.
A wide angle lens can be a powerful tool for emphasizing depth and relative size in a shot. However, it is also one of the more difficult types to master. This article clears up some common misunderstandings and discusses ways to take full advantage of the unique characteristics of a wide-angle lens.
16mm ultra wide angle lens - sunset near Death Valley, California, USA
Overview
A lens is usually referred to as "wide-angle" if its focal length is less than 35mm (for full frame; see "Lenses: Focal Length and Aperture"). This corresponds to an angle of view that exceeds 55° on the wide side of the frame. The definition of ultra-wide is somewhat more vague, but most agree that this part starts at focal lengths of 20-24mm or less. For compact cameras, wide angle often means the maximum zoom opening, but ultra-wide angle is usually not available for them without a special adapter.
In any case, the key concept is this: the shorter the focal length, the more the unique effects of a wide-angle lens show up.
This diagram shows the maximum angles at which light rays
can reach the camera sensor. Ray intersection point optional
equal to the focal length, but approximately proportional to it.
The angle of view, as a result, increases inversely proportionally.
What makes wide angle lenses unique? A common misunderstanding is that wide-angle lenses are mainly used when it is impossible to get far enough away from the subject, but you still want to fit the subject into one frame. However, if this were the only application, it would be a big mistake. In fact, wide-angle lenses are often used for the exact opposite: to be able to get closer to the subject!
Well, let's take a closer look at what makes a wide-angle lens unique:
- It covers a wide field of vision.
- It usually has a minimum focusing distance.
Although these characteristics may seem very basic, they mean a fair amount of possibilities. The rest of this article is devoted to how you can make the best use of these features to get the most out of your wide-angle shots.
wide angle perspective
Obviously a wide-angle lens is special because of its wide angle of view - but what does it really do? The wide angle of view means that relative size and distance are hypertrophied when comparing near and far objects. This causes nearby objects to appear gigantic, while objects farther away tend to appear small and very far away. The reason for this is the angle of view:
Despite the fact that the two control columns are at the same distance, their relative sizes differ significantly in the images taken with the wide-angle and telephoto lenses, made so that the nearest column completely fills the frame vertically. For a wide-angle lens, distant objects make up a much smaller part of the total angle of view.
It is a misunderstanding to say that a wide-angle lens affects perspective - strictly speaking, this is not the case. Perspective is only affected by your position relative to the subject at the time of shooting. In practice, however, wide-angle lenses often force you to get quite close to your subject - which, of course, affects for the future.
3 inch exaggerated flowers
in Cambridge, England. used
16mm ultra wide angle lens.
This exaggeration of relative size can be used to add emphasis and detail to foreground objects while covering a wide background. If you want to take full advantage of this effect, you will need to get as close as possible to the closest object in the scene.
In the ultra-wide example on the left, the closest flowers are practically touching the front lens of the lens, greatly exaggerating their size. In fact, these flowers are less than 10 centimeters wide!
body disproportion,
caused by a wide angle lens.
However, special care must be taken when filming people. Their noses, heads, and other body parts can be out of proportion if you get too close to take a picture. Proportionality, in particular, is the reason why narrower angles of view are common in traditional portrait photography.
In the example on the right, the boy's head has become abnormally large relative to his body. This can be a useful tool for adding drama or character to a straight-line shot, but it's obviously not what most people would like to look like in a portrait.
Finally, as distant objects become quite small, it's sometimes a good idea to include some foreground elements in the frame to lock in the composition. Otherwise, a landscape shot (taken from eye level) may look overwhelmed or lack something to grab the eye.
Anyway, don't be afraid to approach much closer! It is in this case that the wide angle is revealed in all its glory. Just pay special attention to the composition; Extremely close objects can be greatly shifted in the image due to the slightest movement of the camera. As a result, it can be quite difficult to place objects in the frame exactly the way you want them.
vertical tilt
Whenever a wide-angle lens is pointed above or below the horizon, the initially parallel vertical lines begin to converge. In fact, this is true for any lens - even a telephoto lens - it's just that the wide angle makes this convergence more noticeable. Further, when using a wide-angle lens, even a slight change in composition will significantly change the position of the vanishing point - resulting in a noticeable difference in how crisp lines converge.
In this case, the vanishing point is the direction in which the camera is pointing. Hover over the captions for the following illustration to see a simulation of what happens when you point the camera above or below the horizon line:
In this example, the vanishing point didn't move too much in relation to the overall image size - but it had a huge impact on the building. As a result, the buildings appear to fall towards or away from the viewer.
Although convergence of vertical lines is usually avoided in architectural photography, it can sometimes be used as an artistic effect:
Left: Wide-angle shot of trees on Vancouver Island, Canada.
right: King's College Chapel, Cambridge, England.
In the tree example, a wide-angle lens was used to capture the mast trees in a way that makes it look like they are closing in on the viewer. The reason for this is that they appear to be all around and converging in the center of the image - despite the fact that in reality they are all standing in parallel.
Likewise, an architectural photograph was taken close to the doors to exaggerate the apparent height of the chapel. On the other hand, this at the same time creates the undesirable impression that the building is about to fall back.
Ways to reduce vertical convergence few: either point the camera closer to the horizon (1), even if that means a large area of the surface will be captured in addition to the subject (which you will crop later), or move farther away from the subject (2) and use a lens with a large focal length ( which is not always possible), either use Photoshop or other programs and stretch the top of the image (3) so that the vertical converges less, or use the tilt/shift lens to control the perspective (4).
Unfortunately, each of these methods has its drawbacks, whether it is loss of resolution in the first or third cases, inconvenience or loss of perspective (2) or cost, technical knowledge and some loss in image quality (3).
Interiors and enclosed spaces
A wide-angle lens can be absolutely essential for confined spaces, simply because it's impossible to get far enough away from the subject to fit it entirely into the frame (using a normal lens). A typical example is shooting the interiors of rooms or other premises. This type of shooting is also probably the easiest way to get the most out of a wide-angle lens, in part because it forces you to be close to the subject.
left: 16mm focal length - Antelope Canyon, Arizona, USA.
right: spiral staircase in New Court, St. John, Cambridge, England
In both examples, you can move just a few steps in either direction - and yet the pictures do not show the slightest constraint.
Polarizing filters
national park
Coral reef, Utah, USA.
Using a polarizing filter with a wide-angle lens is almost always undesirable.. The key feature of the polarizer is the dependence of its influence on the angle relative to the sun. If you point the camera at a right angle to sunlight, its effect will be maximum; likewise, pointing the camera directly at or against the sun will virtually eliminate its influence.
For a wide-angle lens, one edge of the frame can be almost perpendicular to the sun, while the other is almost perpendicular to it. This means that a change in the influence of the polarizer will be reflected in the frame, which is usually undesirable.
In the example on the left, the blue sky undergoes clearly visible changes in saturation and brightness from left to right.
Light control and wide angle
Filter usage example -
lighthouse at Cape Nora, Sardinia.
A typical hindrance to using wide angle lenses is the strong variation in light intensity in the image. With a normal exposure, uneven lighting causes part of the image to be overexposed and another part to be underexposed - even though our eyes would adapt to the change in brightness when looking in different directions. As a result, you have to additionally take care of determining the desired exposure.
For example, in landscape photography, the foliage in the foreground is often significantly less intensely lit than the sky or distant mountain. This results in an overexposed sky and/or an underexposed ground. Most photographers use so-called graduated neutral density (GND) filters to deal with this uneven lighting.
In addition, a wide-angle lens is much more prone to flare, in part because the sun is much more likely to be in the frame. In addition, it can be difficult to shield the lens from side rays with a lens hood, since it should not block the light that forms the frame at a wide angle.
Wide angle lenses and depth of field
Note that nothing has been said about the wide-angle lens having a large depth of field. Unfortunately, this is another common misconception. If you magnify your subject by the same amount (i.e. fill the frame in the same proportion), a wide-angle lens will provide the same* depth of field as a telephoto lens.
The reason that wide-angle lenses have a reputation for increasing depth of field is not due to any feature of the lens itself. The reason is the most frequent way their applications. People rarely get close enough to their subjects to fill the frame as much as when using lenses with a narrower angle of view.
Articles and Lifehacks
When reading the characteristics of a camera installed in a smartphone, we can often come across a mention that the lens in it is wide-angle.
This almost always applies to, over the past couple of years, which has become a steady trend even on budget models.
On the other hand, we are not always talking about the "native" optics of the device: it may well mean a special accessory. We will try to understand all the heap of information related to this issue.
Why You Need a Wide Angle Lens
The main purpose of such optics is to obtain panoramic images.Offhand, you can name several areas in which such optics simply irreplaceable:
- Shooting interiors of premises: museums, shops, exhibitions.
- Obtaining high-quality photographs of architectural structures.
- Photographing landscapes, landscapes.
- Photos of large-scale events: concerts, sports competitions, folk festivals.
Ultra wide angle lenses are specialized lenses called fisheye or fisheye. Thanks to uncorrected distortion, they can be used to obtain the effect of a “round” image of space.
main parameters
The key characteristic of a lens that determines its angle of view is . However, for smartphones, it is not too critical, since they are equipped with optics with a constant short focus by default: 27-35 cm.Therefore, if for a camera a lens with a field of view angle of 52 ° to 82 ° is considered wide-angle, then in mobile devices this value is much higher: 100 - 120 °.
For panoramic shooting, especially indoors, good aperture is very important. That is why it is usually significantly higher in wide-angle lenses than in “telescopes”: f / 1.7-1.8 versus f / 2.0-2.4.
In dual chambers
The use of two modules with different characteristics to a certain extent solved the problem of a fixed focal length in the lenses of mobile devices.
The most common in modern high-quality gadgets is a combination of two modules: wide-angle with high aperture and telescopic, which has a smaller aperture.
Moreover, the main one in most cases is the wide-angle, the viewing angle of which can reach 125 °. As a result, the resolution of the telephoto sensor in budget devices can be significantly less than that of the “width”.
Selfie lovers
The viewing angle can be very critical for selfie fans, it is clear that in this case it already refers to.
On the one hand, wide-angle lenses allow you to capture as many interesting details of the background you are shooting as possible: details of a building, natural landscape, etc.
On the other hand, several people can “fit” in the frame at once, which is very important in large companies.
In this case, you must remember about the depth of field, because otherwise you can get unplanned. Usually this problem is solved using autofocus, but sometimes you have to dig deeper into the settings.
Removable lenses
To compensate for the shortcomings of smartphone optics, an accessory has been created for mobile devices, which is a nozzle fixed directly on the body of the gadget. Also known as Clip Lens.
The set of such a "clothespin" includes several different lenses that can be quickly replaced in relation to a specific situation. Among them, there is usually a wide-angle one.
It should be said that the quality of images obtained using such attachments suffers significantly: distortion occurs, sharpness is lost at the edges.
But in many cases, you can get effects that are fundamentally inaccessible to the standard optics of mobile devices, such as the same "fisheye" or macro photography.
Finally
Every year the cameras of mobile devices are becoming more and more perfect. The developers are making every effort to get around the limitations imposed on optics by the dimensions.This makes it possible to obtain high-quality panoramic images in almost any conditions.
Particular progress in this regard was achieved with the widespread use of dual cameras, which removed the ultimate requirement for the universality of lens optics.
After all, as you know, a universal tool does a lot, but equally bad. As a result, gadget users no longer have to choose between viewing angle and image scale.
It would seem that everything is simple and clear with wide-angle lenses - more objects in the frame, the ability to shoot nature and city streets, and much more. However, even they can be used incorrectly.
Often beginners in photography purchase a quality wide-angle glass (most often on someone else's advice), a 50mm lens, and a zoom lens in the hope that with such an assortment of lenses they will cover all shooting bases. In principle, this is true, but it is always worth considering that even the most extensive collection of accessories and cameras does not guarantee that the pictures will be successful. That's why we're going to talk about the five most common mistakes beginners make when shooting with a wide-angle lens.
So, first you need to understand what exactly a wide-angle does. Its main function is to expand the space in the frame. That is, it distorts space, thereby deepening the perspective. That is, what is closer to the camera will look significantly larger than what is further away, even if the objects in reality are the same size.
Another result of using a wide angle lens is the curvature of straight lines. That is, all the buildings, if they are removed from below, will, as it were, converge into a circle at the top.
These features, in the hands of a good photographer, will help the photo to take on a deeper meaning, since the wide angle of the lens allows you to create a sense of immersion - the viewer sees himself as part of the image.
What is the correct way to use a wide-angle lens?
The main thing is to know when and how to apply the lens in order to create an attractive image and delight the viewer. And the best way to figure out how to do it right is to look at the most common mistakes.
- Everything in the image is at the same distance from the lens
- The absence of the main character (or subject)
- Trying to fit too much detail into the frame
- Pictures of people from bad angles
- Wide angle shots just for the sake of shooting
Once again, carefully re-read the paragraph about what results a wide-angle gives. Perspective distortion and stretching. Therefore, to get the desired effect, the main subject or the center of the composition must be closer to the lens. Much closer!
The most impressive photos taken with a wide-angle lens are those in which the subject is a few inches away from the camera.
Below are two examples of photographs taken of the same object - a bicycle. In the photo on the left, nothing particularly stands out from the frame, so the photo practically does not carry any meaning and the essence of the image is not fully understood.
The second photo - on the right, on the contrary, highlights the bike, that is, it is closer to the camera and the picture is taken from it in perspective. Bokeh appears, and more highlighted, contrasting space.
Of course, from the outside you can look very suspicious, but anonymity and stealth are rather enemies when shooting with a wide-angle lens.
In order to make the shot more interesting, it needs to add depth and perspective, and for this you need to get closer to the subject. That is, the center of the composition should be closer, the secondary element - a little further away, and the farthest - the background. Thanks to this approach, a multi-layered picture is created, you want to look at it longer, consider and explore what is happening in the frame.
This error goes hand in hand with the previous one. When all objects are at the same distance from the camera, everything looks equally small and insignificant (or everything looks equally large, but this, in turn, nullifies the significance).
For example, two photos below. In the first photo, only the depth of field plays a role, so the picture is built solely on the texture of the wood and metal that are in focus. However, the image is missing something.
And this is what the image looks like when you focus on a leaf that grows through the boards. In the photograph, light immediately begins to play, the center of the composition shifts to the leaf, which also stands out in color and interacts with the sun shining from above.
It is also worth noting here that sometimes it is better not to cling to the original idea of the frame, but to adapt to the conditions and look for the most successful options right on the spot, with a camera in hand. They are known to appear in the most unexpected places.
Remember that even professionals do not shoot masterpieces the first time.
On the contrary, first a frame is taken, then it is carefully evaluated, and then a decision is made whether it is worth leaving it, or is it better to change something. Composition is based not only on strict rules, but also on intuition and instincts. They are worth working with.
Less is more, a rule that works great in photography and fits even better with a wide-angle lens. This mistake is perhaps the most common, because it directly follows from the primary function of the wide angle.
For example, while traveling, you are walking through an open street market and you decide to capture a vendor with a variety of fruits and vegetables laid out in front of him. Of course, the first thing to do is ask permission to shoot. Well, then the responsibility lies with the photographer. Immediately it is worth remembering the rules that are listed above - choose one main object, secondary elements and a background. If there is too much going on in the frame, the viewer will be distracted from the main idea.
So never be afraid to simplify the essence of photography.
You can always say more with fewer details.
Remember the dealer we just asked for permission to shoot? What you definitely shouldn't do is stick the camera right in his face. The result will definitely not please anyone.
A very common mistake is shooting portraits with a wide angle lens. Since one of the main functions of width, as we have already said, is distortion, photographs of people are very unattractive - a long and disproportionate nose, an elongated head, large cheeks - not at all the photo that you put in a frame. So, if you want to shoot flattering portraits, forget about the wide-angle lens and choose from our selection of the best portrait lenses.
It is very important to remember that each glass has its own functions and is suitable for certain genres. Wide angle is good for landscapes and nature, not for artistic or psychological portraits.
However, this does not mean that portrait photos cannot be taken at wide angles at all. If your goal is a funny or humorous shot, a wide angle can, on the contrary, play into your hands. Like the photo below:
Sometimes a wide angle works well in reportage photography:
Photography is, of course, first and foremost a process. But any process must serve some purpose. That is why you should not shoot with a wide-angle lens just like that. Choose subjects that, in terms of meaning and setting, require the kind of effects that can be achieved with a wide angle. Lead the viewer to the compositional center of the image, deliberately distort the size of the subject to indicate its importance, curve the lines to create an immersive effect.
And most importantly - try not to make the above mistakes and shoot, shoot, shoot!
Based on our experience, we've put together the top tips and tricks for shooting with a wide-angle lens to make your photos more interesting and recognizable, both in terms of composition and content. By the way, all smartphones have just such lenses, which means that these tips will be useful to all lovers of mobile photography.
Landscape, architecture, narrow spaces and streets of old towns, travel, street photography and even portrait photography. The use of a wide-angle is possible in any genre and direction. However, wide-angle photography can be both a nightmare and a pleasure depending on how well you learn to apply the tips and tricks below.
What is a wide angle lens
First of all, in photography there is no clear reference relationship between the lens category and its focal length. There are some conditional boundaries that each photographer can in some way "adjust" for himself personally. If we take the notorious Ken Rockwell, then he distinguishes for himself as many as three categories only for wide-angle lenses:
In this article, for ease of perception, we propose to simplify everything and dwell on the following: by a wide angle we will understand any lens with a focal length of less than 24 mm (in full-frame equivalent). When you're in the market for one of these lenses, we recommend checking out our picks for the best wide-angle for Canon and picks for the best wide-angle for Nikon. In each article, we select the main contenders in the category we are interested in, analyze their strengths and weaknesses in detail, which ultimately allows us to recommend you a specific model for purchase.
#one. Choose an interesting foreground
The wide angle is able to fit a significant distance in front of you into the photo and to make it interesting for the viewer to look at your photo, so that he does not get bored of the huge empty space - he needs to show something in the foreground. This is especially useful for landscape photography.
#2.Shoot at the minimum focusing distance
As a general rule, "widths" allow you to focus much closer than standard, and even more so, telephoto lenses. Really close! On average, this is 20-24 cm and this distance is not considered from the front lens, but from the matrix of your camera, i.e. there will be a distance of about 10 cm to the object being photographed. It turns out something like a wide-angle macro, and often with background blur.
#3. Use distortion to your advantage
When framing your shot as you shoot, make sure that the distortion inherent in wide-angle lenses works well for your future photography and your vision. The closer to the edges of the frame and closer to the lens are objects, the more distortion they are subjected to. This will be most striking for human figures.
This does not mean at all that a wide-angle portrait is impossible. On the contrary, you can get very interesting and spectacular pictures. If you want to maintain the normal proportions of the person being photographed, simply place the person in the center of the frame.
#4. Use converging lines
Converging lines are a very powerful and often used compositional technique. Lines force the viewer to look where you need to and eventually end up at the intended point or on the intended subject, which is the central semantic point of your photo. Very often this technique can be found in wedding photographs taken indoors or on city streets.
The wide-angle lens further enhances the perspective, stretches out all the lines, and with a little practice, you can find them almost anywhere. By the way, the lines do not have to be straight, for example, a path, tree trunks, river or stream banks are also great.
#five. Change the shooting point
This tip works great for all other lenses as well. By changing the point of view, you have a chance to show the viewer an unusual point of view, and this is always interesting and makes you stop looking. Try to take a few shots of ground level, then raise the camera high above your head, a couple more shots, and then look at the result. Please note that the lines that are present in your frame and which we wrote about a little earlier have lengthened even more.
#6. Watch your exposure
Since there is a large area in the frame, in which there can be both dark and light areas, it can be very difficult for the camera to understand what is the main subject of the picture. This part falls entirely on the photographer, who does not have many options for this situation.
- Make an exposure correction, thereby overexposure / underexposure of a certain area in the photo and then try to correct it in the editor.
- Compose the frame in a different way, excluding the object that stands out from the exposure.
- If we are talking about shooting a landscape, then option 3 appears - you need to use a gradient filter that will reduce the brightness of the sky in the photo. In this option, you once again say thank you to us, because. in our articles, when choosing the best wide-angle ( and ), we pay attention to lenses whose front lens does not rotate when focusing.
- Shoot during normal hours, just after dawn or shortly before sunset. Not only will you get a beautiful soft light that will look great in a photo and that everyone loves so much, it will also lead to a decrease in the difference in the exposure of the earth and sky.
#7. Have you ordered sunbeams?
Wide angles are quite prone to this kind of flare when you shoot against a light source (called backlight). As a result, a sun hare can easily appear on your photo, which will be almost impossible to remove in post-processing.
If you don’t want to see hares in your photo, then you need to remove it at the time of shooting and this is quite simple to do. It is necessary to gradually change the angle of shooting and it disappears by itself. If there is no light source in the frame, then you can try to block the lens from it with your free hand. However, remember that this hare-shaped technique can be used to your advantage, it all depends on whether you like this effect and whether it will be appropriate in the photo.
#8. Where is your shadow?
When you photograph with a light source behind you (which is more than half of all your photos), it is very easy to overlook the fact that your own shadow will be present in every photo. Be sure to follow this and change the shooting point if necessary.
#nine. Consider Depth of Field
Another feature of wide-angle lenses is a very large depth of field, i.e. DOF - depth of sharply depicted space. For example, let's take amateur Nikon or Canon camera series (Nikon D3000+, D5000+, D7000+ series; Canon 1000D+, 550D+, 70D+ series, and so on), put on a wide-angle lens and set the focal length to 16 mm, aperture to f / 5.6 and Let's focus on an object located at a distance of 2.5 meters from us. Depth of field will start from 1.2 meters and go to infinity! If you want to play around with the depth of field yourself, just write the words “DOF calculator” in the search engine, and it’s best to verify this on a real lens.
Friends, in conclusion, I would like to once again draw your attention to the fact that all the techniques and tips listed above can both harm and spoil the photo, and can be used to create an atmosphere, spectacular shots and more viewer involvement. The result of your shooting with a wide-angle lens will depend entirely on you, your experience and your creative vision.
If you know any useful trick and we forgot to mention it, you want to tell and pay attention to it - be sure to write about it in the comments.
Do you have a friend or girlfriend who loves to take pictures? Share these tips using sharing buttons.